Portrait Drawing Workshop with Marvin Mattelson

Classical Realism: Portrait Drawing
5 Day Workshop


Location: School of Visual Arts, New York City
June 25-29, 2012

Award Winning Portrait of Edward Cardinal Egan Portrait Drawing Workshop In-class Demo

I learned more in two weeks with Marvin than in seven years and an MFA in art school.
Jenny Lyon Poggi


Workshop Purpose
The goal of this workshop is to teach you both the strategic thinking and techniques that great master artists have utilized for centuries. J. D. Ingres said that drawing is the probity of painting. Whether you are interested in specifically creating portrait drawings or paintings, or you want to strengthen your work in general, you'll learn what it takes to create life-like illusionistic images and how to incorporate what you learn into your own personal approach and style.

Award winning classical realist oil portrait artist, Marvin Mattelson will be conducting this workshop for artists who long to elevate their artistic skills. He provides an opportunity for artists of all levels and styles to benefit from his thirty plus years of experience, both as a professional artist and as an instructor at the School of Visual Arts in New York City.

He believes that the way art is taught today limits all but the most precociously talented and clever from succeeding. If they draw or paint well, it's in spite of their methods, not because of them. Unfortunately, many artists with great potential are thwarted because they are not provided with the proper understanding and training.

Marvin has therefore created a refreshingly logical and clear strategy for all artists who want to improve.


Workshop Specifics
Whether drawing or painting is your end game, a deeper understanding of the drawing process is the most crucial component. The main focus of this workshop is learning practical strategies and techniques for capturing a likeness and conveying a strong sense of form.

The essence of draftsmanship is having a well-trained eye. The ability to faithfully represent what lies before you is the major contributing factor in achieving long-term success as a realist artist.

When approached logically, mastery over your drawing is eminently learnable. If you want to learn how to draw well, you first need to transform the way you see. Marvin will demonstrate and explain all aspects of his teaching, including time-tested methodologies for developing objective visual perception, and how to accurately analyze what lies before you.

Marvin's approach to drawing and painting is based on the idea that creating an illusionistic image requires far more than merely copying your subject. It requires the ability to understand and then purposefully modify what you see.

Marvin feels the most effective way of teaching is by demonstrating and explaining each and every step of his methodology. He will spend approximately one third of the workshop sessions demonstrating the following:

• How to achieve accurate drawing and values.
• How to create form and atmosphere.
• How to use edge variation to enhance reality.

Marvin will work one on one with each of his students during the class sessions when he's not demonstrating.


Daily Class Schedule
9:00 am -12:30 p.m....morning drawing session/demo
12:30 p.m. -1:30 p.m....lunch
1:30 p.m. - 5:00 p.m.....afternoon drawing session/demo


Historical Precedence
Marvin's approach to drawing is rooted in his 35+ years as a professional artist and teacher. His drawing methodologies are based on logical and intelligent observational analysis and are totally in sync with those utilized by 19th Century French Academics Charles Bargue, J.L. Gerome and Pierre-Paul Prud'hon. These techniques are taught while drawing from the live model. Marvin believes that only by working from the life, and not plates in a book, can you learn to perceive and convey three dimensional structure.


Workshop Fees & Registration
Tuition $975

For further information contact the Department of Continuing Education at the School of Visual Arts at 212-592-2050 or email at ce@sva.edu

Register now for the Classical Portrait Drawing Workshop - FPC-2338-A.



Links to learn more about the program

Click on the following links to learn more about Marvin Mattelson, see some of his commissioned portraits, check out several of his workshop demonstrations, and look at his students' workshop paintings.

You can also read additional feedback from participants of Marvin's workshops and classes.

You can find out more about Marvin's unique point of view regarding art education, read his teaching philosophy and his thoughts regarding the painting process.


Who is Marvin Mattelson?

Marvin Mattelson is an award winning portrait artist whose paintings hang in collections worldwide, including both the Metropolitan Museum of Art and the Smithsonian Institution's National Portrait Gallery.

Marvin has been teaching at SVA for over 35 years and his former students have achieved both critical and financial success in all arenas of fine and commercial art worlds
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Student Testimonialsent Feed

So few people have the ability to operate at the level you do artistically, but even fewer have the skills and desire to teach others how it's done. You took what you learned about us as individuals and you developed custom, innovative teaching methods using them to push each of us to new levels. You understand how people learn and seem to genuinely thrive off of your students' progress. Selfless with your wealth of knowledge, you jumped at any opportunity to share what you know with your students. After only six days, every one of us walked away with more knowledge than we could have ever hoped to achieve in that time frame and for that amount of money.

This workshop was, without a doubt, the best investment I've ever made in the development of my skills as an artist. I cannot thank you enough for everything you taught me this week, Marvin. You are a spectacular teacher and person, and I will be counting down the days until I can study with you again.
Mary Beth Lumley


I'm so pleased with everything that you taught me. It works so beautifully. I can't thank you enough. I'm totally jealous of all the people who got to put up with you for however many days it was in Santa Fe. I hope they appreciated your incredible genius, and strange sense of humor. I do.
Elsie Hammerlich


Marvin teaches a system of oil painting that is not only ideal for portraits but is readily adaptable to any subject. His complete explanations during demonstrations reveal his years of experience as a university art professor. Class time was well-planned with demos followed by adequate time to implement the principles and techniques.
Parrish Hirasaki


In my 20 years of painting & education, I have never had such a comprehensive & informative class. I now understand why I am doing what I'm doing. The great thing about Marvin's class is that he can teach a beginner all the way to the seasoned artist in the same class. I have never had such a fabulous teacher!!!
Claire Bradford


Wow, it took me till today to 'come down' from the high I was experiencing from last week! When I show people the before and after portraits they have all gasped in amazement that so much could be accomplished in such a short amount of time.

I feel like my brain was a dry sponge, and now it's filled with the knowledge you gave me of how to do a truly lifelike portrait. Your color palette is amazing. I can't imagine ever using any other colors!!

Thank you so much for such a wonderful experience, and I truly enjoyed meeting you! Your dry wit kept me cracked up all week long. I hope I can participate again in the future.
Susan Carter


Marvin’s principles were refreshingly objective, and could be easily pieced together to form a larger whole. It soon became clear that his instruction would be the cornerstone of my painting education.

The beauty of Marvin’s teachings is that he never lets his own individual propensities overshadow his objective understanding of light, color, and form. By learning to depict earth’s natural forms as convincingly as possible on the two-dimensional canvas, one thereby acquires an entire visual language with which to communicate.

Marvin’s guidance has freed me. Without it, I may very well have been faced with decades of pursuing and assembling the technical knowledge that Marvin commands. He has provided me with firm ground upon which I may walk my own path, and for this I will always be grateful.
Joseph Daily
Best of Show Award & People's Choice Award Winner, Portrait Society of America 2005

Link to additional student feedback.


No motion capture or audio recording is allowed during the workshop or lectures!
Film and/or digital still cameras are permitted.

R
© Marvin Mattelson 2002
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